Ed Ruscha b. 1937

Works
  • I Done Did That
    I Done Did That, 2018
  • That Was Then, This Is Now
    That Was Then, This Is Now, 2014
  • I Can’t Not
    I Can’t Not, 2012
  • Rebel
    Rebel, 2011
  • Bliss Bucket
    Bliss Bucket, 2010
  • Collision Frame Repair
    Collision Frame Repair, 2010
  • Special Facts
    Special Facts, 2009
  • City
    City, 2008
  • Animal Pulling Noodle
    Animal Pulling Noodle, 2007
  • The Girl Always Did Have Good Taste
    The Girl Always Did Have Good Taste, 2007
  • Tulsa Slut
    Tulsa Slut, 2006
  • Ooo
    Ooo, 2004
  • H.M.S. Nevertheless
    H.M.S. Nevertheless, 2003
  • Sunset De Longpre
    Sunset De Longpre, 2001
  • Above Sunset
    Above Sunset, 1999
  • Selma and Vine St
    Selma and Vine St, 1999
  • Rooms
    Rooms, 1996
  • Hope
    Hope, 1992
  • Ace
    Ace, 1990
  • So-So
    So-So, 1990
  • Yes
    Yes, 1990
  • A Blvd Called Sunset
    A Blvd Called Sunset, 1989
  • Safe
    Safe, 1989
  • Dry Gulch
    Dry Gulch, 1986
  • I Forgot to Remember to Forget
    I Forgot to Remember to Forget, 1984
  • Play Ball
    Play Ball, 1984
  • The Storm
    The Storm, 1984
  • Yes Tree
    Yes Tree, 1983-1986
  • Magic Isle
    Magic Isle, 1982
  • We’re This and We’re That
    We’re This and We’re That, 1982
  • Kay-Eye-Double-S
    Kay-Eye-Double-S, 1979
  • The World
    The World, 1977
  • You Know the Old Story
    You Know the Old Story, 1975
  • Face Shield
    Face Shield, 1974
  • Extreme
    Extreme, 1973
  • Fly-Proof
    Fly-Proof, 1973
  • Las Palmas
    Las Palmas, 1967
  • Automatic Study
    Automatic Study, 1963
Biography

Please contact the gallery for other works available by this artist.

Ed Ruscha is an American artist that emerged as a Pop Artist in the 1960s. He was born in 1937 in Nebraska and studied at the California Institute for the Arts from 1956 to 1960 under Robert Irwin and Emerson Woelffer. After graduating he traveled around Europe before taking a job as a layout artist in Los Angeles. Ruscha became a part of the Ferus Gallery Group, which represented artists such as John McCracken and Larry Bell and held Andy Warhol's first solo exhibition of his Campbell's Soup Cans.

 

By the 1960s he was well known for his prints, collages, and paintings. Ruscha's works can be described as stylized representations of American pop culture combined with words and phrases that play with the image and its linguistic meaning. Ruscha works with various different mediums such as graphite, gunpowder, and pastel, to create his word and slogan works. He applies the medium with his "drawing tools", which consist of cotton puffs and Q-Tips.  These help him create his renowned smoky and illusive effect. By giving his phrases a "physical voice" he created a deadpan humor that is now synonymous with his work.

 

In interviews, Ruscha denies that he is inspired by his Southern California upbringing, but the use of large, catchy Hollywood inspired text and California themes seem to be an homage to his roots. In the early 2000s, Ruscha's auction record surpassed $2 million, and then in 2011 his record raised to $4.1 million for his work Strange Catch for a Fresh Water Fish (1965), which was then surpassed in 2014 when the painting titled Smash (1963) sold for over $30 million. His first public work was installed in 2014 in New York City's High Line featuring, Honey, I Twisted Through More Damn Traffic Today, taken from a pastel drawing he created in 1977. Ruscha continues to live and work in Culver City, California.

 

Ed Ruscha has work featured in the permanent collections of the Museum Ludwig in Cologne, Museo d'arte contemporanea, Castello di Rivoli in Turin, Italy, The High Museum of Art in Atlanta, The Whitney Museum of American Art in New York, Museum of Contemporary Art in Chicago, Museum of Fine Art in Houston, Museum of Modern Art in New York, Los Angeles County Museum of Art, and the San Francisco Museum of Modern Art to name a few.

 

Related categories: The American West, Language, Typography, Post-War American Art, Los Angeles Artists, Silkscreen, California Art, Conceptual Art, Text, Repetition, Pop Art, 20th Century Art, Americana, Consumerism, Landscapes, United States, Topographic Photography, Painting, Typologies, Artists' Books, Photography, Collage, Popular Culture, Engagement with Mass Media, Representations of Everyday Objects, Drawing, Black-and-White Photography

 

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