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David Yarrow Scottish, b. 1966

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Open a larger version of the following image in a popup: David Yarrow, Black Beauty, 2019

David Yarrow Scottish, b. 1966

Black Beauty, 2019
Archival Pigment Print
Available in 2 sizes:
Standard - 53 x 52 inches SOLD OUT
Large - 73 x 71 inches
Edition of 12 plus 3 artist's proofs
Signed, editioned and dated on the bottom recto
View on a Wall
BLACK BEAUTY Borana, Kenya – 2019 Borana in Kenya offers some of the most raw and dramatic scenery in East Africa - rolling plains are interspersed with forests, steep hills...
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BLACK BEAUTY
Borana, Kenya – 2019

Borana in Kenya offers some of the most raw and dramatic scenery in East Africa - rolling plains are interspersed with forests, steep hills and craggy rock faces. The most famous spot of all is, of course, Pride Rock of “Lion King” fame. For the 2019 remake, the Disney crew spent eight weeks filming in Borana - quite an investment of time for an animated film. In 2019, I also shot the new Land Rover Defender against this backdrop - it is a filmmaker’s el dorado.

The ecosystem has it all - elephants, rhino, lion, giraffe, horses and huge herds of buffalo. But it was also traditional Kenyan farming land and white Kenyans dominate the social scene in the conservancy which has now merged with adjacent Lewa.

In 2007, the Dyer farming family made a decision to commit all retained earnings from commercial activities on Borana to support the increased costs of conservation. Borana and Lewa together now boast the most successful rhino conservancy in Kenya. Poaching is a thing of the past in this part of Kenya and much of the credit belongs to second and third generation farming families like the Dyers and the Craigs in Lewa, who know what they are talking about. As I grow older, I recognise the importance of knowing what I am talking about.

The success of Kenyan farmers in Borana brought new residents from Europe and even more horses. But not just any horses - champion racehorses. To photograph them at altitude in Borana was a great thrill - their muscled bodies set against the plains below offer the artist every chance.

I want to thank Michael Spencer for all his support and help over the years. No man knows more about old colonial Africa and no man has given back more - it is integral to his soul to be loyal to his roots and in Borana he has found his spiritual home. Michael and Sarah’s stunning racehorses add another dimension to one of my favourite places in East Africa.
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Provenance

Artist's studio; Cast|ine|Goodman Gallery, Aspen
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