Black and White with Color Balance

December 18, 2014 – March 1, 2015

Andy Warhol_Arrangement of Spring Flowers in Tokyo, Japan, 1956 (19" x 14") - Casterline|Goodman

Arrangement of Spring Flowers in Tokyo, Japan, 1956

India ink and black ballpoint on Strathmore

19 x 14 1/4 inches, 28 x 23 inches framed

Andy Warhol_Madame Rubinstein in Kyoto, Japan, 1956 (13" x 21.5") - Casterline|Goodman

Madame Rubinstein in Kyoto, Japan, 1956

India ink, white gouache and black ballpoint on Strathmore paper

13 1/4 x 21 1/2 inches, 22 x 30 inches framed

Richard Serra_Foot Cape III, 1994 - Casterline|Goodman Gallery

Foot Cape III, 1994

Paintstick on handmade paper

60 x 42 inches

Unsigned

ER - Bail Jumper_Front

Bail Jumper, 1990

Acrylic on canvas

36 x 48 ¼ inches

Signed and dated on the reverse

Ed Ruscha_The Storm, 1984 (13" x 23") Framed - Casterline|Goodman Gallery

The Storm, 1984

Dry pigment on paper

13 x 23 inches

Signed and dated lower right

Ruscha_HMS Nevertheless, 2003 (30" x 20") 2- Casterline|Goodman

H.M.S. Nevertheless, 2003

Acrylic on paper

30 x 20 1/8 inches

Signed and dated lower right: “Ed Ruscha 2003”

Gideon Rubin_World of Choices, 2012 (15 3:4" x 32 1:2")-Casterline|Goodman Gallery.jpg

World of Choices, 2012

Gouache on cardboard

15 ¾ x 32 ½ inches, two parts

James Rosenquist_Electrical Flora at Night - Casterline|Goodman Gallery

Electrical Flora at Night, 1984

Charcoal and pastel on paper

70 x 50 inches

Signed, titled and dated bottom front

Vik Muniz_Milk Drop Coronet (after Harold Edgerton), 1997-98 (24 3/4" x 20 1/2") Framed - Casterline|Goodman Gallery

Milk Drop Coronet (after Harold Edgerton), 1997-98

Pictures of Chocolate

Cibachrome print on aluminum

25 ¾ x 20 ½ inches (28 x 23 inches Framed)

Edition of 10

Vik Muniz_Snake, 1997 (48" x 60") Photograph- Casterline|Goodman Gallery

Snake, 1997

Pictures of Soil

Bromoil gelatin silver print

48 x 60 inches (53 x 65 inches framed)

Edition 5 of 5

Vik Muniz_Hour Glass, 1998 (19.5" x 23") Framed - Casterline|Goodman Gallery

Hour Glass, 1998

Pictures of Soil

Bromoil gelatin silver print

23 x 19 ½ inches (28 x 25 inches framed)

Edition 10 of 10

Vik Muniz_Bowl, 1997 (19.5" x 23") Framed - Casterline|Goodman Gallery

Bowl, 1997

Pictures of Soil

Bromoil gelatin silver print

23 x 19 ½ inches (28 x 25 inches framed)

Edition of 10

Vik Muniz_Vanitas, 1997 (19.5" x 23") Photograph- Casterline|Goodman Gallery

Vanitas, 1997

Pictures of Soil

Bromoil gelatin silver print

19 ½ x 23 inches (25 x 28 inches framed)

Edition of 10

Vik Muniz_Vanitas, 1997 (48" x 60") Photograph- Casterline|Goodman Gallery

Vanitas, 1997

Pictures of Soil

Bromoil gelatin silver print

48 x 60 inches (54 x 66 inches framed)

Edition 1 of 5

Yayoi Kusama_Infinity-Nets (KOTR), 2013 (38" x 51 1/4") Canvas - Casterline|Goodman Gallery

Infinity-Nets (KOTR), 2013

Acrylic on canvas

38 x 51 ¼ inches

Barbara Kruger_Do I Have To Give Up Me To Be Loved By You, 2011 (32" x 50") - Casterline|Goodman Gallery

Do I Have To Give Up Me To Be Loved By You?, 2011

Print on paper

32 x 50 inches (paper), 33 x 51 inches (framed)

Edition 5 of 10

Jean-Michel Basquiat_ Untitled (House Monkey) and Untitled (Andromeda), 1986 (11" x 8.5" each) Framed - Casterline|Goodman Gallery

Untitled (House Monkey) and Untitled (Andromeda), 1986

Ink on paper

11 x 8 ½ inches each

Authenticated, #61107, 61108

Works are accompanied by original certificates 

Black and White with Color Balance: December 18, 2014 - March 1, 2015

For the Winter season, Casterline|Goodman represents Black and White with Color Balance with selections from Jean-Michel Basquiat, Barbara Kruger, Vik Muniz, Gideon Rubin, Ed Ruscha, Richard Serra, and Andy Warhol. The show will run from December 18, 2014 to March 1, 2015, and an opening reception will be held December 29, 2014 from 6-8pm.

 

The introduction of color, during the mid-twentieth century, has transformed our way of seeing. Movies, photography, magazines, and advertisements are now multicolor, but in the beginning it was so expensive that magazines, for example, reserved color only for the cover of their issues, and did not spread it to their pages until the end of the twentieth century. Today, the media has made color an essential part of our visual experience, overlooking the black and white image as dated. 

Casterline|Goodman’s Black and White with Color Balance takes us back to the importance of the black and white image, and challenges the audience to contemplate the work’s organic form. By using a simplified color pallet, the show also emphasizes the works choice of medium, which can be masked by color. Gallery owner, Robert Casterline, states, "The simplest, yet sometimes most powerful, form of art is the black and white image. Black and White with Color Balance shows how important the medium is to the viewer; where only a little bit of color is needed to give the complete picture of what the artist is truly trying to say."