ART NEW YORK, by Art Miami

Booth A29 May 3-8 | VIP Preview May 3

Longo_Double Dead Study.jpg

Double Dead Study, 1981
Watercolor and pencil on paper
30 x 44 inches
76.2 x 111.76 centimeters
​Titled "Double Dead Study" (lower left), signed and dated 'Robert Longo 81' (lower right)

Andy Warhol_Arrangement of Spring Flowers in Tokyo, Japan, 1956 (19" x 14") - Casterline|Goodman

Arrangement of Spring Flowers in Tokyo, Japan, 1956

India ink and black ballpoint on Strathmore

19 x 14 1/4 inches

28 x 23 inches framed

48.26 x 36.19 centimeters 

71.12 x 58.42 centimeters framed

Andy Warhol_Madame Rubinstein in Kyoto, Japan, 1956 (13" x 21.5") - Casterline|Goodman

Madame Rubinstein in Kyoto, Japan, 1956

India ink, white gouache and black ballpoint on Strathmore paper

13 1/4 x 21 1/2 inches 

22 x 30 inches framed

33.65 x 54.61 centimeters

55.88 x 76.2 centimeters framed

Barbara Kruger_Do I Have To Give Up Me To Be Loved By You, 2011 (32" x 50") - Casterline|Goodman Gallery

Do I Have To Give Up Me To Be Loved By You?, 2011

Print on paper

32 x 50 inches

33 x 51 inches framed

81.28 x 127 centimeters

83.82 x 129.54 centimeters framed

Edition 5 of 10

Jean-Michel Basquiat_ Untitled (House Monkey) and Untitled (Andromeda), 1986 (11" x 8.5" each) Framed - Casterline|Goodman Gallery

Untitled (House Monkey) and Untitled (Andromeda), 1986

Ink on paper

11 x 8 ½ inches each

17 x 24 x 2 inches framed

27.94 x 21.59 centimeters each

43.18 x 60.96 x 5.08 centimeters framed

Authenticated, #61107, 61108

Works are accompanied by original certificates 

John McCracken_Blue Cube, 1972 (24" x 24" x 2") - Casterline|Goodman Gallery

Blue Cube, 1972

Polyester resin and fiberglass on plywood

24 x 24 x 2 inches

60.96 x 60.96 x 5.08 centimeters 

Signed and dated on the reverse

Joseph Cornell_The Nearest Star, 1953 (4" x 16" x 9.5") - Casterline|Goodman

The Nearest Star, an Allegory of Time, 1953

Mixed Media Construction (oil, wood, metal ring, metal chain, printed paper, stamps, nails & tin applique)

16 x 9 ¾ x 4 ½ inches

40.64 x 24.765 x 11.43 centimeters

Signed on a label affixed to the reverse

Robert-Rauschenberg_Untitled,-Runt-Series,-2007-(61'-x-73')-Frame-Casterline_Goodman-Gallery.gif

Runt Series, 2007

Mixed media on polylaminate 

59 1/4 x 72 inches

61 x 73 1/2 x 2 inches framed

150.49 x 86.69 centimeters

154.94 x 186.69 x 5.08 centimeters framed

Richard Serra_Foot Cape III, 1994 (60" x 42") Paper-Casterline|Goodman Gallery.jpg

Foot Cape III, 1994

Paintstick on handmade paper

59 x 39 inches

63 1/2 x 43 3/4 x 3 inches framed

149.86 x 99.06 centimeters

161.29 x 111.125 x 7.62 centimeters framed

 

Alex Katz_Lily 1, 1967 (14" x 18") Framed - Casterline|Goodman Gallery.jpg

Lily 1, 1967

Oil on board

14 x 18 inches

15 x 19 x 2 inches framed

35.6 x 45.7 centimeters

38.1 x 48.26 x 5.08 centimeters framed

Signed and dated on verso​

Alex Katz_Red Roses, 1966 (14 1/8" x 14 1/8") Canvas - Casterline|Goodman Gallery.jpg

Red Roses, 1966

Oil on canvas

14 1/8 x 14 1/8 inches

15 1/8 x 15 1/8 x 1 1/2 inches framed

35.9 x 35.9 centimeters

38.41 x 38.41 x 3.81 centimeters framed

Signed and dated on front

Alex Katz_Portrait of Irvin N. Ives, 1957 (36" x 24") Canvas-Casterline|Goodman Gallery.jpg

Portrait of Irvin N. Ives, 1957

Oil on masonite

36 x 24 inches

39 3/4 x 28 x 1/4 inches framed

91.44 x 60.96 centimeters

100.96 x 71.12 x .63 centimeters framed

Alex Katz_Impala (Study), 1968 (15 3/4" x 20") Canvas - Casterline|Goodman Gallery

Impala (Study), 1968

Oil on board

15 ¾ x 20 inches

20 3/8 x 24 3/4 x 1 1/2 inches framed

40 x 50.8 centimeters

51.75 x 62.86 x 3.8 centimeters framed

Signed and dated upper right

Alex Katz_Tiger Lily, 1968 (31.7" x 48.7") Canvas - Casterline|Goodman Gallery.jpg

Tiger Lily, 1968

Oil on canvas

31.7 x 48.7 inches

38 1/2 x 58 1/2 x 1 1/2 inches framed

80.518 x 123.69 centimeters

97.79 x 148.59 x 3.81 centimeters framed

Signed and dated 68

Ed Ruscha_ Magic Isle, 1982 (30" x 40") No Frame - Casterline|Goodman Gallery.jpg

Magic Isle, 1982
Pastel on paper
30 x 40 inches
39 1/2 x 52 1/2 x 2 inches framed
76.2 x 101.6 centimeters
100.33 x 130.81 x 5.08 centimeters framed

Ed Ruscha_ The World, 1977 (23" x 29") No Frame - Casterline|Goodman Gallery.jpg

The World, 1977
Carrot juice on paper
23 x 29 inches

28 1/2 x 34 5/8 x 1 1/2 inches framed

58.42 x 73.66 centimeters

72.39 x 87.94 x 3.81 centimeters framed
Signed and dated 'Edward Ruscha 1977' on the reverse

 

Ed Ruscha_ KISS, 1979 (7 3:8" x 34") Wall - Casterline|Goodman Gallery.jpg

Kay-Eye-Double-S, 1979
Pencil on paper
7 3/8 x 34 inches 
17 x 43 x 1 1/2 inches framed
18.73 x 86.36 centimeters
43.18 x 109.22 x 3.81 centimeters framed
Signed and dated 'Ed Ruscha 1979' (bottom right)

Ed Ruscha_Rooms, 1996 (16" x 28")-Casterline|Goodman Gallery

Rooms, 1996

Acrylic on lithograph, framed

16 x 28 inches

24 x 35 ½ inches framed

40.64 x 71.12 centimeters

60.96 x 90.17 centimeters framed

Art Miami New York 2016

Specializing in post-war and contemporary art, the Casterline|Goodman Gallery, located in Aspen, CO, shows first-tier original artworks from the 20th and 21st centuries, including original paintings, sculptures and drawings by established artists such as Jean-Michel Basquiat, Ed Ruscha, and Andy Warhol.

 

This Spring, from May 3rd- May 8th, Casterline|Goodman Gallery will exhibit at Art New York, booth A29. The gallery will feature a selection from our most prominent artists, including Alex Katz, Simon Hantai, Yayoi Kusama and many more.

 

Alex Katz is an American figurative artist best-known for his paintings, prints and sculptures. He attended The Cooper Union in New York from 1946 to 1949 and later studied at the Skowhegan School of Painting and Sculpture in Maine from 1949 to 1950. The Skowhegan School cultivated his love for painting through its emphasis on painting en plein air and from life. Katz once stated that natural light was the only way to achieve an objects true color. Every year since the 1950s, Katz has spent the summer painting at his 19th century farmhouse in Maine. He is inspired by the freedom and spontaneity of nature.  

Katz also drew inspiration from Jackson Pollock’s use of space, which lead him to paint an all-over series of trees. Katz’s work has been described as an environment the viewers can immerse themselves in.

Simon Hantai was a Hungarian-born French abstract painter best-known for developing his technique of pliage (folding). Hantai was temporarily blind at age 8, an experience that later influenced his unconventional artistic methods. He attended the Hungarian Academy of Fine Arts in Budapest before moving to France with his wife in 1948. Enveloped in post-war France, Hantai further pursued his interests in avant-garde art and set out to reinvent painting.

Yayoi Kusama is a Japanese artist known for her use of bright colors and polka dots. Kusama studied Nihonga, which is the traditional Japanese style of painting, in Kyoto. Upon completion of her studies, she quickly became disinterested in Nihonga and turned her attention to avant-garde American and European styles.