Art Miami 2018

December 4 – 9, 2018

Jim Dine- Mauve Gold, 1995 (50 x 48 inches)_Casterline|Goodman Gallery.jpg

Mauve Gold, 1995

Oil on canvas

60 x 48 inches

152.4 x 121.92 centimeters

Keith Haring-Untitled, July 14, 1982 (9 1-4 x 35 7-8 inches)_Casterline|Goodman Gallery.jpg

Untitled, July 14, 1982
Acrylic on metal
9 1/4 x 35 7/8 inches

23.49 x 91.12 centimeters

Jack Whitten-Untitled, 1968 (26 1:4 x 20 3:4 inches)_Casterline|Goodman Gallery.jpg

Untitled, 1968 


Watercolor on paper

26 1/4 x 20 3/4 inches
66.675 x 51.435 centimeters
Jack Whitten-Ella I, 1996 (23 1:2 x 11 1:2 inches)_Casterline|Goodman Gallery.jpg

Ella I, 1996


Acrylic and recycled glass on canvas on plywood

23 1/2 x 11 1/2 inches
59.69 x 29.21 centimeters 
Jack Whitten-Untitled, 1968 (12 1:2 x 11 1:4 inches)_Casterline|Goodman Gallery.jpg

Untitled, 1968


Watercolor on paper

12 1/2 x 11 1/4 inches
31.75 x 28.575 centimeters 
David Hockney- Swimming Pool, 1978 (14 x 17 inches)_Casterline|Goodman Gallery.jpg


Swimming Pool, 1978


Ink on paper

14 x 17 inches 
35.56 x 43.18 centimeters 
Sol Lewitt-Horizontal Lines, 2005 (59 7:8 x 59 1:2 inches)_Casterline|Goodman Gallery.jpg
Horizontal Lines, 2005
Gouache on paper
59 7/8 x 59 1/2 inches
152.08 x  151.13 centimeters
Damien Hirst- Isoxazole, 2010 (27 x 21 inches)_Casterline|Goodman Gallery.jpg

Isoxazole, 2010

Household gloss on canvas

27 x 21 inches

68.58 x 53.34 centimeters

Damien Hirst, untitled, 2004-2011 (17 x 39 inches)_Casterline|Goodman Gallery.jpg

Benzofuroxan, 2004-2011
Household gloss on canvas

17 x 39 inches

43.18 x 99.06 centimeters

Frank Stella-Untitled, 1968 (10 x 15 inches)_Casterline|Goodman Gallery.jpg

Untitled, 1968 


Felt pen on paper

10 x 15 inches
25.4 x 38.1 centimeters 
Ed Ruscha-Collision Frame Repair, 2010 (22 x 32 inches)_Casterline|Goodman Gallery.jpg

Collision Frame Repair, 2010


Acrylic on canvas

22 x 32 inches
55.88 x 81.28 centimeters
Richard Serra-Stratum 8, 2007 (39 1:2 x 40 inches)_Wall_Casterline|Goodman Gallery.jpg

Stratum 8, 2007


Paintstick on paper

39 1/2 x 40 inches
100.33 x 101.6 centimeters
Ed Ruscha_ Yes Tree, 1983-1986 (50" x 40") _Casterline|Goodman Gallery.jpg

Yes Tree, 1983-1986
Oil and enamel on canvas
50 x 40 inches
127 x 101.6 centimeters

Richard Serra_P&E VIII, 2007 (26 1:2 x 40 inches)_Casterline|Goodman Gallery.jpg

Richard SERRA
P&E VIII, 2007
Paintstick on mylar
26 1/2 x 40 inches
67.31 x 101.6 centimeters

Richard Serra_P&E IX, 2007 (26 1:2 x 40 inches)_Casterline|Goodman Gallery.jpg

P&E IX, 2007
Litho crayon on mylar
26 1/2 x 40 inches
67.31 x 101.6 centimeters 
 

Mark Bradford-Untitled, 2006 (14 3:8 x 20 1:2 inches)_Casterline|Goodman Gallery.jpg

Untitled (Cheap Auto Insurance), 2006

Mixed media collage
14.375 x 20.5 inches 

Richard Serra_Transparancy #57, 2013 (30 x 24 inches)_Casterline|Goodman Gallery.jpg

Transparency #57, 2013
Lithocrayon on mylar
30 x 24 inches
76.2 x 60.96 centimeters
 

Gerhard Richter_Paper Fuji (23 Oktober 1996), 1996 (11 5:12" x 14 9:16")_Casterline|Goodman Gallery.jpg

Paper Fuji (23 October 1996), 1996
Oil on paper
11 1/2 x 16 1/4 inches
29.2 x 41.3 centimeters
 

Kenneth-Noland_Mysteries,-Maine-Painting,-2000-(18.5'-x-24.5')-No-Frame--Casterline_Goodman-Gallery.gif

Mysteries: Maine Painting, 2000
Oil on canvas 
18.5 x 24.5 inches
20 x 26 inches framed
46.99 x 62.23 centimeters 
50.8 x 66.04 centimeters framed
Signed on reverse "Kenneth Noland 2000-0005"
 

Simon Hantai_Etude_1970_.61 x 46Simon Hantai_Etude_1970_.61 x 46 1:2 inches_No Frame_ Casterline Goodman Gallery.jpg 1:2 inches_ Casterline Goodman Gallery.jpg

Etude, 1970
Oil on canvas
61 x 46 1/2 inches 
63 x 49 1/2 x 2 5/16 inches framed
154.94 x 118.11 centimeters
160.02 x 125.73 x 5.87 centimeters framed
 

Adolf-Gottlieb_-Vertical,-1971-(60'-x-48')---No-Frame---Casterline_Goodman-Gallery.gif

Vertical, 1971
Oil on canvas
60 x 48 inches
61 3/4 x 49 3/4 inches framed
152.4 x 121.92 centimeters
156.84 x 126.36 centimeters framed
Signed, titled and dated 'Adolph Gottlieb 1971 "Vertical"' (on the reverse)

Ed Ruscha_Automatic Study, 1963 (16 7:8" x 12") No Frame- Casterline|Goodman Gallery.jpg

Automatic Study, 1963

Pencil on tracing paper

16 7/8 x 12 inches

20 5/8 x 27 5/8 x 1 1/2 inches framed

42.86 x 30.48 centimeters

52.38 x 70.16 x 3.81 centimeters framed

Signed lower right: "Edw Ruscha 1963"

Ed Ruscha_ Magic Isle, 1982 (30" x 40")_ Casterline|Goodman Gallery.jpg

Magic Isle, 1982
Pastel on paper
30 x 40 inches
39 1/2 x 52 1/2 x 2 inches framed
76.2 x 101.6 centimeters
100.33 x 130.81 x 5.08 centimeters framed

Ed Ruscha_ KISS, 1979 (7 3:8" x 34") Wall - Casterline|Goodman Gallery.jpg

Kay-Eye-Double-S, 1979
Pencil on paper
7 3/8 x 34 inches 
17 x 43 x 1 1/2 inches framed
18.73 x 86.36 centimeters
43.18 x 109.22 x 3.81 centimeters framed
Signed and dated 'Ed Ruscha 1979' (bottom right)

John McCracken_Blue Cube, 1972 (24" x 24" x 2") Side - Casterline|Goodman Gallery.jpg

Blue Cube, 1972

Polyester resin and fiberglass on plywood

24 x 24 x 2 inches

60.96 x 60.96 x 5.08 centimeters

Signed and dated on the reverse

Alex Katz_Lily 1, 1967 (14" x 18") Canvas - Casterline|Goodman Gallery.jpg

Lily 1, 1967

Oil on board

14 x 18 inches

15 x 19 x 2 inches framed

35.6 x 45.7 centimeters

38.1 x 48.26 x 5.08 centimeters framed

Signed and dated on verso

Barbara Kruger_Do I Have To Give Up Me To Be Loved By You, 2011 (32" x 50") - Casterline|Goodman Gallery

Do I Have To Give Up Me To Be Loved By You?, 2011

Print on paper

32 x 50 inches

33 x 51 inches framed

81.28 x 127 centimeters

83.82 x 129.54 centimeters framed

Edition 5 of 10

Press Release

Specializing in post-war and contemporary art, Casterline|Goodman Gallery shows blue-chip original artworks from the 20th and 21st centuries, including original paintings, sculptures and drawings by established artists such as Jean-Michel Basquiat, Ed Ruscha, and Andy Warhol. Casterline|Goodman Gallery operates in Aspen, CO and Nantucket, MA.

 

This winter, from December 4thto December 9th, Casterline|Goodman Gallery will exhibit at Art Miami. The gallery will feature a selection from our most prominent artists, including Mark Bradford, Jim Dine and Richard Serra. 

 

Mark Bradford is a contemporary American artist known for grid-like abstract paintings combining collage with paint. Born in 1961 in Los Angeles, Bradford studied at the California Institute of the Arts receiving his BFA in 1995 and his MFA is 1997. His artistic influence appeared at a young age, while helping at his mother’s hair salon. Even today, many materials such as dye and foil are used in his works. The majority of his work consists of issues dealing with race, gender and class. His work consists of many mediums including video, installations, collaged paintings and sculptures. 

Jim Dine is one of the few original Pop artists still working today.   He is best known for his vibrant images of hearts, palettes, robes and Pinocchio. Dine moved to New York upon receiving a B.F.A. from Ohio University in 1957. He quickly became active in the local art scene through his involvement with artists Claes Oldenburg and Allan Kaprow and musician John Cage in exhibiting “Happenings,” performance art that was popular in the late 1950s and early 1960s. Dine’s work was included in one of the first Pop Art shows in America, New Painting of Common Objects, which was held at the Norton Simon Museum in California and featured other Modern artists as Andy Warhol, Ed Ruscha and Roy Lichtenstein. 

Richard Serra is an American minimalist sculptor known for his sheet metal installations. He earned his B.A. from University of California, Santa Barbara in 1961 and his M.F.A. from Yale University School of Art and Architecture in 1964. Serra was inspired by the teachers and artists that he met at Yale, most notably Philip Guston and Chuck Close. He was also influenced by his work in steel mills as a teenager and his father’s job as a pipe-fitter.