Art Miami 2017

Booth A308 | December 5-10 | VIP Preview December 5

December 5 – 10, 2017

Mark Bradford-Untitled, 2006 (14 3:8 x 20 1:2 inches)_Casterline|Goodman Gallery.jpg

Untitled, 2006
Mixed media collage
14.375 x 20.5
 

Simon Hantai_Etude_1970_.61 x 46Simon Hantai_Etude_1970_.61 x 46 1:2 inches_No Frame_ Casterline Goodman Gallery.jpg 1:2 inches_ Casterline Goodman Gallery.jpg

Etude, 1970
Oil on canvas
61 x 46 1/2 inches 
63 x 49 1/2 x 2 5/16 inches framed
154.94 x 118.11 centimeters
160.02 x 125.73 x 5.87 centimeters framed
 

John McCracken_Blue Cube, 1972 (24" x 24" x 2") Side - Casterline|Goodman Gallery.jpg

Blue Cube, 1972

Polyester resin and fiberglass on plywood

24 x 24 x 2 inches

60.96 x 60.96 x 5.08 centimeters

Signed and dated on the reverse

Christo_The Gates (Project for Central Park, New York City), 1981 (33" x 28") - Casterline|Goodman Gallery

The Gates (Project for Central Park, New York City), 1981

Two elements – paper collage, pastel, graphite, wax crayon, charcoal and map mounted on cardboard

33 x 28 inches (upper element: 11 x 28 inches; lower element: 22 x 28 inches)

83.82 x 71.12 centimeters (upper element: 27.94 x 71.12 centimeters; lower element: 55.88 x 71.12 centimeters)

Signed and dated ‘Christo 1981’ upper right on the upper element 

Kenneth-Noland_Mysteries,-Maine-Painting,-2000-(18.5'-x-24.5')-No-Frame--Casterline_Goodman-Gallery.gif

Mysteries: Maine Painting, 2000
Oil on canvas 
18.5 x 24.5 inches
20 x 26 inches framed
46.99 x 62.23 centimeters 
50.8 x 66.04 centimeters framed
Signed on reverse "Kenneth Noland 2000-0005"
 

Mark Bradford-Untitled, 2006 (14 3:8 x 20 1:2 inches)_Casterline|Goodman Gallery.jpg

Untitled, 2006
Mixed media collage
14.375 x 20.5
 

Simon Hantai_Etude_1970_.61 x 46Simon Hantai_Etude_1970_.61 x 46 1:2 inches_No Frame_ Casterline Goodman Gallery.jpg 1:2 inches_ Casterline Goodman Gallery.jpg

Etude, 1970
Oil on canvas
61 x 46 1/2 inches 
63 x 49 1/2 x 2 5/16 inches framed
154.94 x 118.11 centimeters
160.02 x 125.73 x 5.87 centimeters framed
 

John McCracken_Blue Cube, 1972 (24" x 24" x 2") Side - Casterline|Goodman Gallery.jpg

Blue Cube, 1972

Polyester resin and fiberglass on plywood

24 x 24 x 2 inches

60.96 x 60.96 x 5.08 centimeters

Signed and dated on the reverse

Christo_The Gates (Project for Central Park, New York City), 1981 (33" x 28") - Casterline|Goodman Gallery

The Gates (Project for Central Park, New York City), 1981

Two elements – paper collage, pastel, graphite, wax crayon, charcoal and map mounted on cardboard

33 x 28 inches (upper element: 11 x 28 inches; lower element: 22 x 28 inches)

83.82 x 71.12 centimeters (upper element: 27.94 x 71.12 centimeters; lower element: 55.88 x 71.12 centimeters)

Signed and dated ‘Christo 1981’ upper right on the upper element 

Kenneth-Noland_Mysteries,-Maine-Painting,-2000-(18.5'-x-24.5')-No-Frame--Casterline_Goodman-Gallery.gif

Mysteries: Maine Painting, 2000
Oil on canvas 
18.5 x 24.5 inches
20 x 26 inches framed
46.99 x 62.23 centimeters 
50.8 x 66.04 centimeters framed
Signed on reverse "Kenneth Noland 2000-0005"
 

Ed Ruscha_Selma and Vine St,1999 (22 x 17 1:4 inches)_Casterline|Goodman Gallery.jpg

Selma and Vine St, 1999
Acrylic on canvas
22 x 17 1/4 inches
 

Ed Ruscha_ Yes Tree, 1983-1986 (50" x 40") _Frame_Casterline|Goodman Gallery.jpg

Yes Tree, 1983-1986
Oil and enamel on canvas
50 x 40 inches
127 x 101.6 centimeters
 

Ed Ruscha_Sunset De Longpre, 2001 (16 x 24 inches) _Casterline|Goodman Gallery.jpg

Sunset De Longpre, 2001
Acrylic on linen
16 x 24 inches 
40.64 x 60.96 centimeters
 

Ed Ruscha_Automatic Study, 1963 (16 7:8" x 12") No Frame- Casterline|Goodman Gallery.jpg

Automatic Study, 1963

Pencil on tracing paper

16 7/8 x 12 inches

20 5/8 x 27 5/8 x 1 1/2 inches framed

42.86 x 30.48 centimeters

52.38 x 70.16 x 3.81 centimeters framed

Signed lower right: "Edw Ruscha 1963"

Ed Ruscha_ Magic Isle, 1982 (30" x 40")_ Casterline|Goodman Gallery.jpg

Magic Isle, 1982
Pastel on paper
30 x 40 inches
39 1/2 x 52 1/2 x 2 inches framed
76.2 x 101.6 centimeters
100.33 x 130.81 x 5.08 centimeters framed

Ed Ruscha_ The World, 1977 (23" x 29") No Frame - Casterline|Goodman Gallery.jpg

The World, 1977
Carrot juice on paper
23 x 29 inches

28 1/2 x 34 5/8 x 1 1/2 inches framed

58.42 x 73.66 centimeters

72.39 x 87.94 x 3.81 centimeters framed
Signed and dated 'Edward Ruscha 1977' on the reverse

 

Ed Ruscha_ KISS, 1979 (7 3:8" x 34") no frame - Casterline|Goodman Gallery.jpg

Kay-Eye-Double-S, 1979
Pencil on paper
7 3/8 x 34 inches 
17 x 43 x 1 1/2 inches framed
18.73 x 86.36 centimeters
43.18 x 109.22 x 3.81 centimeters framed
Signed and dated 'Ed Ruscha 1979' (bottom right)

Ed Ruscha_Rooms, 1996 (16" x 28")-Casterline|Goodman Gallery

Rooms, 1996

Acrylic on lithograph, framed

16 x 28 inches

24 x 35 ½ inches framed

40.64 x 71.12 centimeters

60.96 x 90.17 centimeters framed

Ed Ruscha_Selma and Vine St,1999 (22 x 17 1:4 inches)_Casterline|Goodman Gallery.jpg

Selma and Vine St, 1999
Acrylic on canvas
22 x 17 1/4 inches
 

Ed Ruscha_ Yes Tree, 1983-1986 (50" x 40") _Frame_Casterline|Goodman Gallery.jpg

Yes Tree, 1983-1986
Oil and enamel on canvas
50 x 40 inches
127 x 101.6 centimeters
 

Ed Ruscha_Sunset De Longpre, 2001 (16 x 24 inches) _Casterline|Goodman Gallery.jpg

Sunset De Longpre, 2001
Acrylic on linen
16 x 24 inches 
40.64 x 60.96 centimeters
 

Ed Ruscha_Automatic Study, 1963 (16 7:8" x 12") No Frame- Casterline|Goodman Gallery.jpg

Automatic Study, 1963

Pencil on tracing paper

16 7/8 x 12 inches

20 5/8 x 27 5/8 x 1 1/2 inches framed

42.86 x 30.48 centimeters

52.38 x 70.16 x 3.81 centimeters framed

Signed lower right: "Edw Ruscha 1963"

Ed Ruscha_ Magic Isle, 1982 (30" x 40")_ Casterline|Goodman Gallery.jpg

Magic Isle, 1982
Pastel on paper
30 x 40 inches
39 1/2 x 52 1/2 x 2 inches framed
76.2 x 101.6 centimeters
100.33 x 130.81 x 5.08 centimeters framed

Ed Ruscha_ The World, 1977 (23" x 29") No Frame - Casterline|Goodman Gallery.jpg

The World, 1977
Carrot juice on paper
23 x 29 inches

28 1/2 x 34 5/8 x 1 1/2 inches framed

58.42 x 73.66 centimeters

72.39 x 87.94 x 3.81 centimeters framed
Signed and dated 'Edward Ruscha 1977' on the reverse

 

Ed Ruscha_ KISS, 1979 (7 3:8" x 34") no frame - Casterline|Goodman Gallery.jpg

Kay-Eye-Double-S, 1979
Pencil on paper
7 3/8 x 34 inches 
17 x 43 x 1 1/2 inches framed
18.73 x 86.36 centimeters
43.18 x 109.22 x 3.81 centimeters framed
Signed and dated 'Ed Ruscha 1979' (bottom right)

Ed Ruscha_Rooms, 1996 (16" x 28")-Casterline|Goodman Gallery

Rooms, 1996

Acrylic on lithograph, framed

16 x 28 inches

24 x 35 ½ inches framed

40.64 x 71.12 centimeters

60.96 x 90.17 centimeters framed

Blue Sunday, 2012
Oil, acrylic and sand on canvas
60 x 48 inches
 

Richard Serra_Stratum G, 2006 (19 1:2 x 30 inches)_Casterline|Goodman Gallery.jpg

Stratum G, 2006
Oilstick on paper
19 1/2 x 30 inches

Richard Serra_Transparancy #57, 2013 (30 x 24 inches)_Frame_Casterline|Goodman Gallery.jpg

Transparency #57, 2013
Lithocrayon on mylar
30 x 24 inches

Alexander Calder_Untitled, 1970 (28 3:4 x 41 1:2 inches)_Casterline|Goodman Gallery.jpg

Untitled, 1970

Gouache and ink on paper

28 3/4 x 41 1/2 inches

Press Release

Specializing in post-war and contemporary art, the Casterline|Goodman Gallery, located in Aspen, CO, shows first-tier original artworks from the 20th and 21st centuries, including original paintings, sculptures and drawings by established artists such as Jean-Michel Basquiat, Ed Ruscha, and Andy Warhol.

 

This winter, from December 5th to December 10th, Casterline|Goodman Gallery will exhibit at Art Miami. The gallery will feature a selection from our most prominent artists, including Robert Indiana, Ed Ruscha, Richard Serra and many more.

 

 

Robert Indiana is known for his use of commercial words in sculpture, paintings and prints. The artist was originally named Robert Clark, but later adopted Indiana as his last name early in his career. Indiana served three years in the US Air Force before studying at the Art Institute of Chicago from 1949 to 1953.  He briefly lived in Edinburgh and then moved to New York to begin his life as an artist in 1954. 

Ed Ruscha is an American artist that emerged as a Pop Artist in the 1960s. He was born in 1937 in Nebraska and studied at the California Institute for the Arts from 1956 to 1960 under Robert Irwin and Emerson Woelffer. After graduating he traveled around Europe before taking a job as a layout artist in Los Angeles. Ruscha became a part of the Ferus Gallery Group, which represented artists such as John McCracken and Larry Bell and held Andy Warhol’s first solo exhibition of his Campbell's Soup Cans.

 

Richard Serra is an American minimalist sculptor known for his sheet metal installations. He earned his B.A. from University of California, Santa Barbara in 1961 and his M.F.A. from Yale University School of Art and Architecture in 1964. Serra was inspired by the teachers and artists that he met at Yale, most notably Philip Guston and Chuck Close. He was also influenced by his work in steel mills as a teenager and his father’s job as a pipe-fitter.